On Bollywood

My relationship with Bollywood's been fairly interesting, I think. 

When I was growing up, Bollywood consisted of this blur of imagery and drama that would happen for a few hours in a week, maybe a Friday evening movie or a bunch of songs in Eastmancolor on a flickering, crackling, bulbous little CRT... but most of all, it was music. Music everywhere, on taxi cassette players, mikes on the corner, brassy, disjointed bands, and everywhere, radio. Single-channel MW bands on battery-powered transistors sitting in faraway corners, singing away in the background. Somehow, always associated with travelling, with holidays and memories, the comfort food of music. 

It's probably the nostalgia factor, but I guess also because I was most of the time too young to really get what was happening. 

Then sometime around Chunky Pandey, I got old enough to understand the stories... and hated them. And the music - however good it might be - was forever tainted from then on with shallow, selfish, misogynistic, boorish, and embarrassing behavior. 

But all that had come before - I think it's pretty much set the tone for what music should be, as far as I'm concerned. There has to be melody. Imagery. Erudition. The ability to paint a lifetime in a few charcoal strokes, just abstract enough to let you fill in the blanks with what you wanted the story to be. Soothing. Distantly on the edge of hearing, yet constantly there. Familiar enough so you can sing along. 

You don't know who's singing, who's composing, who did the music or what film it's from. It's like reading a comic from the middle of a series you found in a box of junk on a vacation afternoon when you had nothing to do. You don't know why they're singing. You don't have any visuals to go with them. 

All you know is - this is awesome. 

And I guess that's why there's always going to be that genre that exists only in my head - the soundtrack to those drives in the dark, the walks in dusty golden winter sunlight, browsing through second-hand bookstores... and sometime between KL Saigal and Baba Sehgal, a little golden RD-Rafi period that's can only be labelled 'the most awesome childhood ever'. 

So long, and thanks for the all the memories

"The evil that men do lives on after them; the good is oft interred with their bones."
Not always. Sometimes, the good is stronger.
The flesh is weak. It falters, makes mistakes, falls short of living up to the immortal perfection of the soul.
The flesh dies.
The soul lives on.
The soul is what gave us the music. Gave us the memories. Gave the background score to some of the best times of our lives. The music is something that will always be with us, will always be remembered.

The music will always live on.

Rest in peace.